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Jannik Richard Steinmeyer

b. Cologne, Germany 1996

Based in Berlin

Jannik.Richard@gmail.com

Satyr.E.32x27cm.satyr.no.19.jannik.richard art painting, blue portrait

Education

2023

 Master degree at Universität der Künste Berlin

2017-2023 

2022

Universität der Künste Berlin, Fine Arts, Berlin

– from 2018 Specialist class of Thomas Zipp

– Study year Abroad

Central Saint Martins, Fine Arts, London

2016

Alanus Academy of Fine Arts, Bonn

– Artistic Painting Course

Solo Exhibitions

2021

A is not Comfortable, Pavillion Volksbühne Sternschuppen, curated by Valentin Wagner, Berlin

Group Exhibitions

2023

2023

2023

2022

2022

2021

2021

2021

2020

2020

2020

2020

2019

2019

2019

2019

2018

Art Beats Berlin, Trauma Bar , Curated by Victor  Auberjonois

Master Graduation Exhibition University of the arts Berlin

Reconstructions at Künstlerhaus Bethanien Berlin 

art 1418 Zurich. Keep Calm and enjoy Richard Wagner , Zürich

Open Studio Exhibition Centel Saint Martins , London

Toter Salong, Volksbühne , Berlin

In Case of Boredom, Recite the ABC more often, Galerie Krobath, curated by Spazispezal, Wien

Neuroplastics, Galerie Feldhaus, curated by Gesine Borchert, Berlin

Quarantäne am Rammelsberg, Kunstsalon Monchestraße, Goslar

Caution, do not repaint randoms, Berlin

Void & Sound, Galerie Kai Erdmann, Hamburg

Inter/Intimes Autoportrait, Lachenmann Art, Frankfurt

Bauhaus Beerdigung, Volksbühne, Berlin

Schaububinnen, Circle 1 Galerie, Berlin

Gratwanderung, Greifwalderstr. 35, Berlin

Rumhängen, Raum für Drastische Maßnahmen, Berlin

Stop-T Asstellungsserie, Greifwalderstr. 35, Berlin

Bio

A recent UdK graduate, Jannik Richard (b. 1996, Cologne), is a German artist currently living and working in Berlin. 

As a 2023 UdK graduate, he works within the realm of analog identity manipulation. He uses painting, sculpture, and installation to meticulously craft compositions that provoke a sense of disorientation through deliberate folds and distortions. Drawing inspiration from both classical art and contemporary culture, his work evokes the timeless allure of Greek mythology, such as the role of satyrs. He weaves this imagery into his creations, infusing them with a modern twist that reflects his creative process. In his paintings, an overarching theme coalesces and runs through the entire body of work. Motifs of pleasure, as well as natural needs, are presented and simultaneously challenge the viewer with the conflicts such impulses pose. While intense pleasure and enjoyment are promised in the short term, one carries the risk of possible self-overestimation and the neglect of long-term consequences.

When using real people as references in his paintings, Richard does so with utmost intentionality, selecting subjects exclusively from his inner circle of family and friends. It’s a process where familiarity blurs the lines between friend and kin, fostering a deeply personal exploration of human connection. Through an abstract approach, his paintings result in an abstraction of the person: ultimately, his perspective yields a new character, one that interacts with his own fiction. Throughout this process, he lets art history, artists who have inspired him, as well as his own creativity lead the approach. To Richard, painting often feels like conversing with other artists and his subjects. Reality plays no primary role and is foremost excluded from his art.

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